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Online-Shopping mit großer Auswahl im DVD & Blu-ray Shop. Top-Angebote für Jerry Lewis Filme auf DVDs und Blu-rays auf Deutsch online entdecken bei eBay. Top Marken | Günstige Preise. produzierte Lewis The Day the Clown Cried, eine Filmgroteske, in der er selbst Regie führte und die Hauptrolle spielte. Der Film handelt von einem Clown​. Filme auf Deutsch anschauen in voller Länge - jetzt abonnieren: segeltorpsgolvservice.se​FabellaAbo ▻ Dieser Film zeigt nicht nur das schlimme, sondern eine LIEBESSTO. 2,58 Millionen Bewertungen. Herunterladen. Der Geisha Boy - ganzer Film auf Deutsch Filme Deutsch, Jerry Lewis, Geisha,. Quelle: segeltorpsgolvservice.se Mehr dazu.

jerry lewis filme deutsch

2,58 Millionen Bewertungen. Herunterladen. Der Geisha Boy - ganzer Film auf Deutsch Filme Deutsch, Jerry Lewis, Geisha,. Quelle: segeltorpsgolvservice.se Mehr dazu. produzierte Lewis The Day the Clown Cried, eine Filmgroteske, in der er selbst Regie führte und die Hauptrolle spielte. Der Film handelt von einem Clown​. Filme auf Deutsch anschauen in voller Länge - jetzt abonnieren: segeltorpsgolvservice.se​FabellaAbo ▻ Dieser Film zeigt nicht nur das schlimme, sondern eine LIEBESSTO. jerry lewis filme deutsch The new French criticism viewed cinema as an art form unto itself, and comedy as part of this art. Continue reading June 12,he was treated and released from a hospital after collapsing from hypoglycemia at here New York Friars Club event. The A. Retrieved December 13, Magician's Assistant. Retrieved June 16, Self - Muscular Dystrophy Commercial. Star Sign: Pisces. Several months later, in FebruaryLewis underwent emergency open-heart double-bypass surgery.

He raised awareness for muscular dystrophy during his fifty-five years with the Muscular Dystrophy Association , most notably through his annual Labor Day telethon.

Census , and the U. Census all name him as Jerome. Lewis said that he ceased using the names Joseph and Joey as an adult to avoid being confused with Joe E.

Lewis and Joe Louis. He was a "character" even in his teenage years, pulling pranks in his neighborhood including sneaking into kitchens to steal fried chicken and pies.

He dropped out of Irvington High School in the tenth grade. By age 15, he had developed his "Record Act" miming lyrics to songs while a phonograph played offstage.

He landed a gig at a burlesque house in Buffalo, but his performance fell flat and was unable to book any more shows. Lewis worked as a soda jerk and a theater usher for Suzanne Pleshette 's father Gene at the Paramount Theatre [20] [21] [22] [23] [24] as well as at Loew's Capitol Theatre , both in New York City, [25] to make ends meet.

A veteran burlesque comedian, Max Coleman, who had worked with Lewis' father years before, persuaded him to try again.

Irving Kaye, [26] [27] [28] [29] a Borscht Belt comedian, saw Lewis' mime act at Brown's Hotel in Loch Sheldrake, New York, the following summer, and the audience was so enthusiastic that Kaye became Lewis' manager and guardian for Borscht Belt appearances.

Lewis initially gained attention as part of a double act with singer Dean Martin , who served as straight man to Lewis' zany antics as the Martin and Lewis comedy team.

They were different from other duo acts of the time because they played to each other and had ad-libbed improvisational segments within their planned routines.

After forming in , they quickly rose to national prominence, first with their popular nightclub act, then as stars of their NBC radio program The Martin and Lewis Show.

Lewis, writer for the team's nightclub act, hired Norman Lear and Ed Simmons as regular writers for their Comedy Hour material.

Martin and Lewis often broke character, ad-libbing and breaking the fourth wall. While not completely capturing the orchestrated mayhem of their nightclub act, the Comedy Hour displayed charismatic energy between the team and established their popularity nationwide.

By , with an appearance at the Paramount Theatre in New York, they were a cultural phenomenon, attracting crowds rivaled only by Frank Sinatra earlier and later by Elvis Presley and The Beatles.

In , the team appeared on episode of What's My Line? Their films were reliable financial successes for Paramount and hugely popular with audiences.

In later years, both Lewis and Martin admitted frustration with Wallis for his formulaic and trite film choices, restricting them to narrow, repetitive roles.

As Martin's roles in their films became less important over time and Lewis received the majority of critical acclaim, the partnership came under strain.

Martin's participation became an embarrassment in when Look magazine published a publicity photo of the team for the magazine cover but cropped Martin out.

After their partnership ended with their final nightclub act on July 24, , both Martin and Lewis went on to highly successful solo careers and neither would comment on the split nor consider a reunion.

However, they would occasionally be seen at the same public events, though never together. On two occasions, in and , Martin invited Lewis on stage, but the split was too serious for them to reconcile.

After his partnership with Martin ended in , Lewis and his wife Patty took a vacation in Las Vegas to consider the direction of his career.

He felt his life was in a crisis state: "I was unable to put one foot in front of the other with any confidence.

I was completely unnerved to be alone". Lewis had not sung alone on stage since he was five years old, twenty-five years before, but he appeared before the audience of a thousand nonetheless, delivering jokes and clowning with the audience while Garland sat off-stage, watching.

I walked off the stage knowing I could make it on my own". At his wife's pleading, Lewis used his own money to record the songs on a single.

Further singles were recorded and released by Lewis into the mids. But these were not Lewis's first foray into recording, nor his first appearance on the hit charts.

During his partnership with Martin, they made several recordings together, charting at 22 in with the s chestnut That Certain Party and later mostly re-recording songs highlighted in their films.

Also during the time of their partnership, but without Martin, he recorded numerous novelty-comedy numbers for adults as well as records specifically intended for the children's market.

Having proven he could sing and do live shows, he began performing regularly at the Sands Hotel and Casino in Las Vegas, beginning in late , which marked a turning point in his life and career.

The Sands signed him for five years, to perform six weeks each year and paid him the same amount they had paid Martin and Lewis as a team.

He has proved that he can be a success by himself," wrote one. Such live performances became a staple of his career and over the years he performed at casinos, theaters and state fairs coast-to-coast.

In February , he followed Garland at the Palace Theater in New York and Martin called on the phone during this period to wish him the best of luck.

He starred in his adaptation of " The Jazz Singer " for Startime. Lewis hosted the Academy Awards three times, in , and the 31st Academy Awards in , which ran twenty minutes short, forcing Lewis to improvise to fill time.

Lewis would remain at Paramount, becoming a comedy star in his own right and his first solo movie was The Delicate Delinquent , marking Lewis' debut as film producer.

It originally had been planned as the next Martin and Lewis film. He and Martin had made two films with director Frank Tashlin , whose background as a Looney Tunes cartoon director suited Lewis' brand of humor.

Lewis was asked by Billy Wilder to play the lead role of Jerry, an uptight jazz musician who winds up on the run from the mob, in his film Some Like It Hot but turned it down.

After his contract with Wallis ended, Lewis had several movies under his belt and was eager to flex his creative muscle. He was free to deepen his comedy with pathos , believing, "Funny without pathos is a pie in the face.

And a pie in the face is funny, but I wanted more. This contract made Lewis the highest paid individual Hollywood talent to date and was unprecedented in that he had unlimited creative control, including final cut and the return of film rights after 30 years.

He had finished his film contract with Wallis with Visit to a Small Planet and wrapped up production on his own film Cinderfella , directed by Tashlin.

The movie was postponed for a Christmas release. Paramount Pictures, needing a quickie motion picture for its summer schedule, held Lewis to his contract to produce one.

Lewis later revealed that Paramount was not happy about financing a "silent movie" and withdrew backing.

Lewis would follow that film by directing several more new movies he co-wrote with Richmond, including The Ladies Man , where Lewis constructed a three-story dollhouse-like set spanning two sound stages.

The set was equipped with state of the art lighting and sound, eliminating the need for boom mics in each room.

His next feature The Errand Boy , was one of the earliest films about moviemaking, utilizing all of the Paramount backlot and offices.

He then starred in Tashlin's It's Only Money His appearance on the show scored the highest ratings thus far in late night, surpassing other guest hosts and Paar.

The three major networks began a bidding war, wooing Lewis for his own talk show, which debuted the following year.

Lewis then directed, co-wrote and starred in the smash hit The Nutty Professor A parody of Dr. Jekyll and Mr.

Hyde , it featured him as a socially awkward professor inventing a serum that turns him into a handsome but obnoxious ladies man.

It is largely considered to be Lewis' finest and most memorable film being selected in for preservation in the U. National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

He starred next in Tashlin's Who's Minding the Store? The show suffered in the ratings, beleaguered by technical and other difficulties, including the assassination of then U.

Kennedy , which left the country in a somber mood. Lewis next co-wrote and starred in The Patsy , his satire about the Hollywood star-making industry.

His last film collaboration with Tashlin was The Disorderly Orderly , which Lewis not only starred in but executive produced. After that, he then directed, co-wrote and appeared in The Family Jewels about a young heiress who must choose among six uncles, one of whom is up to no good and out to harm the girl's beloved bodyguard who practically raised her.

Lewis played all six uncles and the bodyguard. In , Lewis was interviewed on The David Susskind Show , then co-starred in Boeing Boeing , his last film for Paramount, based on the French stage play , [47] in which he received a Golden Globe nomination.

In , after 17 years, Lewis left Paramount, which changed ownership while its new executives declined to renew his profit sharing contract [ citation needed ] and went to other studios.

Lewis then directed One More Time , a sequel to the film Salt and Pepper , in which Lewis did his first and only offscreen voice performance as a bandleader.

His next film was Which Way to the Front? Lewis' next feature was the partly unreleased The Day the Clown Cried , a drama set in a Nazi concentration camp , which he starred in and directed.

The film was rarely discussed by Lewis, but he said that litigation over post-production finances and copyright prevented the film's completion and theatrical release.

During his book tour for Dean and Me he also said a factor for the film's burial was that he was not proud of the effort.

Lewis explained his reason for choosing the project and the emotional difficulty of the subject matter in an interview with an Australian documentary film crew.

Within historical context, the movie was the earliest attempt by an American motion picture director to address the subject of The Holocaust , preceding by thirteen years Claude Lanzmann 's groundbreaking film Shoah , [50] and by more than twenty years, Steven Spielberg 's Schindler's List and Life is Beautiful , dealing with similar themes.

Significant speculation continues to surround the film. Following this, Lewis would take a break from the movie business for several years.

Lewis surprised Sinatra and Martin after walking onto the Aladdin stage in Las Vegas during their show and exchanged jokes for several minutes.

We Didn't See You Leave , the latter two films from France which had their distribution under Lewis' control and stated that they would never be released in American movie theaters and on home media.

He then hosted a syndicated talk show for Metromedia, which was not continued beyond the scheduled five shows. In , Lewis directed an episode of the Showtime series Brothers.

In , Lewis appeared at the first Comic Relief , where he was the only performer to receive a standing ovation and after that, he was interviewed on Classic Treasures.

In , Lewis performed a second double act with Davis Jr. He then starred in five episodes of the CBS program Wiseguy. The filming schedule of the show forced Lewis to miss the Museum of the Moving Image 's opening with a retrospective of his work.

Lewis wheeled out a cake on Martin's 72nd birthday, sang " Happy Birthday " to him and joked, "Why we broke up, I'll never know".

He then appeared in Cookie In , Lewis had a cameo in Mr. In , he was the first of a series of 'classic' comedians to guest star in Mad About You , playing an eccentric billionaire.

He appearanced on Larry King Live many times and co-starred in the film Arizona Dream as a car salesman and uncle to a young nephew, then starred as the 'Comedy Legend' father of a young comic in Funny Bones Lewis' role serves as the metaphorical pivot in 20th Century comedy, from slapstick anarchists to clever storytellers.

In , realizing a lifelong ambition, Lewis made his Broadway debut, as a replacement cast member, in a revival of Damn Yankees.

He performed in both the national and London runs of the musical. Lewis missed three performances of the live show in four-plus years, one being Martin's funeral.

Lewis would next appear on the 12th annual American Comedy Awards in Lewis starred in a small role in The Trust and a serious lead role in his final film Max Rose , which premiered at the Cannes Film Festival.

During production of The Bellboy , Lewis pioneered the technique of using video cameras and multiple closed circuit monitors, [61] which allowed him to review his performance instantly.

This was necessary since he was acting as well as directing. His techniques and methods of filmmaking, documented in his book and his USC class, enabled him to complete most of his films on time and under budget since reshoots could take place immediately instead of waiting for the dailies.

Man in Motion , [62] a featurette for Three on a Couch , features the video system, named "Jerry's Noisy Toy" [63] and shows Lewis receiving the Golden Light Technical Achievement award for its development.

Lewis stated he worked with the head of Sony to produce the prototype. While he initiated its practice and use, and was instrumental in its development, he did not hold a patent.

Starting in , Lewis taught a film directing class at the University of Southern California in Los Angeles for a number of years.

His students included George Lucas , whose friend Steven Spielberg sometimes sat in on classes. His book The Total Film Maker , was based on hours of his class lectures.

Clifford Kuhn and also did corporate and college lectures, motivational speaking and promoted the pain-treatment company Medtronic. While Lewis was popular in France for his duo films with Dean Martin and his solo comedy films, his reputation and stature increased after the Paramount contract, when he began to exert total control over all aspects of his films.

His involvement in directing, writing, editing and art direction coincided with the rise of auteur theory in French intellectual film criticism and the French New Wave movement.

Appreciated too, was the complexity of his also being in front of the camera. The new French criticism viewed cinema as an art form unto itself, and comedy as part of this art.

Lewis is then fitted into a historical context and seen as not only worthy of critique, but as an innovator and satirist of his time.

Not yet curricula at universities or art schools, film studies and film theory were avant-garde in early s America. Mainstream movie reviewers such as Pauline Kael , were dismissive of auteur theory, and others, seeing only absurdist comedy, criticized Lewis for his ambition and "castigated him for his self-indulgence" and egotism.

Appreciation of Lewis became a misunderstood stereotype about "the French", and it was often the object of jokes in American pop culture.

Binh, a French film magazine critic. In addition to his years as an entertainer and filmmaker, Lewis was also a world-renowned humanitarian, philanthropist and "number one volunteer" who supported fundraising for research into muscular dystrophy.

In , after another appeal, Lewis hosted New York area telethons until and in , fought Rocky Marciano in a boxing bout for MDA's fund drive.

In , Ed McMahon announcer, second banana and sidekick to Johnny Carson on The Tonight Show began his involvement in the telethon, and co-anchored the event with Lewis every year from to The broadcast originated from different locations including New York, Las Vegas and Hollywood and was the most successful fundraising event in the history of television.

By , pop culture had shifted its view of disabled individuals and the telethon format. Lewis and the telethon's methods were criticized by disabled-rights activists who believed the show was "designed to evoke pity rather than empower the disabled.

Lewis rebutted the criticism and defended his methods saying, "If you don't tug at their heartstrings, then you're on the air for nothing.

He received a Governors Award in and the Jean Hersholt Humanitarian Award in , in recognition of his fight for the cause and his efforts for the Muscular Dystrophy Association.

On August 3, , it was announced that Lewis would no longer host the MDA telethons [78] and that he was no longer associated with the Muscular Dystrophy Association.

On May 1, , it was announced that in view of "the new realities of television viewing and philanthropic giving", the telethon was being discontinued.

In early , Lewis broke a five-year silence during a special taped message at MDA's brand re-launch event at Carnegie Hall in New York City for the organization on its website in honor of its rebranding marking his first and as it turned out, his final appearance in support of MDA since his final telethon in and the end of his tenure as national chairman in MDA's website states, "Jerry's love, passion and brilliance are woven throughout this organization, which he helped build from the ground up, courted sponsors for MDA, appeared at openings of MDA care and research centers, addressed meetings of civic organizations, volunteers and the MDA Board of Directors, successfully lobbied Congress for federal neuromuscular disease research funds, made countless phone calls and visits to families served by MDA.

During Lewis' lifetime, MDA-funded scientists discovered the causes of most of the diseases in the Muscular Dystrophy Association's program, developing treatments, therapies and standards of care that have allowed many people living with these diseases to live longer and grow stronger.

Lewis opened a camera shop in , then in , Lewis agreed to lend his name to "Jerry Lewis Cinemas", offered by National Cinema Corporation as a franchise business opportunity for those interested in theatrical movie exhibition.

Jerry Lewis Cinemas stated that their theaters could be operated by a staff of as few as two with the aid of automation and support provided by the franchiser in booking film and other aspects of film exhibition.

A forerunner of the smaller rooms typical of later multi-screen complexes, a Jerry Lewis Cinema was billed in franchising ads as a "mini-theatre" with a seating capacity of between and In addition to Lewis's name, each Jerry Lewis Cinemas bore a sign with a cartoon logo of Lewis in profile.

Eventually the policy was changed, and the Jerry Lewis Cinemas were allowed to show more competitive movies. But after a decade the chain failed and both Lewis and National Cinema Corporation declared bankruptcy in The eight-minute segment, titled Boy , was about a young white child in a black world and being subjected to quiet, insidious racism, and outright racist bullying.

In , Lewis met with seven-year-old Lochie Graham, who shared his idea for "Jerry's House", a place for vulnerable and traumatized children.

Lewis and Graham entered into a joint partnership for an Australian and a U. Lewis kept a low political profile for many years, having taken advice reportedly given to him by President John F.

Kennedy , who told him "Don't get into anything political. Don't do that because they will usurp your energy".

Lewis was a supporter of the Civil Rights Movement. In a Movie Mirror magazine article, Lewis came out against the Vietnam War , when his son Gary returned from service traumatized.

He vowed to leave the country rather than send another of his sons. Lewis once stated political speeches should not be at the Oscars.

Show all 26 episodes. Laurel and Mr. Hardy John, Kaye Ballard Benjamin Spock Lendon Smith Show all 12 episodes.

Show all 52 episodes. Self uncredited. Self - Brief Walking Man uncredited. Self - Mystery Guest. Self - Guest Panelist. Self - Substitute Host.

Self - Comedian. Self cameo uncredited. Show all 9 episodes. Jayne Mansfield Show all 17 episodes.

Show all 10 episodes. Self - Cameo. Self - walk-on for MDA. Show all episodes. Self - Muscular Dystrophy Commercial.

TV Movie documentary Self. Jerry Lewis Freddy Statler uncredited. Pythias uncredited. Related Videos.

Edit Did You Know? Personal Quote: [looking back on more than 60 years in show business] I was about as discreet as a Trivia: He was known as a clothes horse.

The Andy Williams Show. The Red Skelton Show. The Engelbert Humperdinck Show. The Carol Burnett Show.

The Dick Cavett Show. Inside the Actors Studio [2]. Episode, " Uncle ". Five Came Back. Comedians in Cars Getting Coffee.

July 6; episode Heere's Jerry! Posthumous release [3] [4]. Spellbound game [5]. Coca-Cola [8]. How to Smuggle a Hernia Across the Border.

Sailor Beware Trailer. Scared Stiff Trailer. The Nutty Professor Trailer. The Disorderly Orderly Trailer. Production trailer for Three on a Couch.

Terror in the Aisles. Documentary for Mr. Saturday Night. Interviewed for the documentary on The Borscht Belt comedians.

Das könnte Ihnen https://segeltorpsgolvservice.se/filme-stream-download/the-good-the-bad-and-the-weird.php gefallen. EUR 9,00 Versand. Solch einen Artikel verkaufen? Der Film handelt von einem Clown, der in ein Nazi-Konzentrationslager verschleppt wird, nachdem er Hitler parodiert hat. In den Telethons waren typischerweise sehr viele Show-Stars vertreten, darunter please click for source auch als Ko-Moderatoren z. Sparen mit WOW! Regionalcode Alle ansehen. Keine Angabe.

Jerry Lewis Filme Deutsch Inhaltsverzeichnis

EUR 7,00 Versand. Zudem trat Lewis in den Jahrenund als Moderator aurich feuerstein Oscarverleihung auf. Nur noch 1 verfügbar! Beim Echtheit geprüft. EUR 4,50 Versand.

Jerry Lewis Filme Deutsch - Sie befinden sich hier

Sein erster auf diese Weise entstandener Film war Hallo, Page! Lewis widersprach dem Jahrzehnte später und charakterisierte seine Beziehung zu Martin als Liebesbeziehung. Danach zog er sich weitgehend aus dem Filmgeschäft zurück, trat aber bisweilen noch in Broadway -Shows auf, so u. Lewis begann zu dieser Zeit Drehbücher zu schreiben und auch die Produktionsleitung und die Regie zu übernehmen. Beendete Angebote. EUR 6,99 Versand.

Jerry Lewis Filme Deutsch Video

😂Jerry Lewis - Der Zirkusclown (1954) 😂 jerry lewis filme deutsch

But there Lewis was, at a time of strict studio control, doing both. No other comedic star, with the exceptions of Chaplin and Keaton in the silent era , dared to direct himself.

Lewis, on the other hand, was interested in exploring the possibilities of the medium by utilizing the tools he had at his disposal in formally innovative and oftentimes hilarious ways.

His purposeful selection of lenses, for example, expands and contracts space to generate laughs that aren't necessarily inherent in the material, and he often achieves his biggest effects via what he leaves off screen, not just visually but structurally.

As a director, Lewis advanced the film comedy genre with innovations in the areas of fragmented narrative, experimental use of music and sound technology, and near surrealist use of color and art direction.

Lewis is the only one today who's making courageous films. He's been able to do it because of his personal genius".

Intensely personal and original, Lewis' films were groundbreaking in their use of dark humor for psychological exploration.

Few comedians before him had so brazenly turned arrested development into art, or held up such a warped fun house mirror to American identity in its loudest, ugliest, vulgarest excesses.

Fewer still had advanced the still-radical notion that comedy doesn't always have to be funny, just fearless, in order to strike a nerve".

Before , Hollywood comedies were screwball or farce. Lewis, from his earliest 'home movies, such as How to Smuggle a Hernia Across the Border , made in his playhouse in the early s, was one of the first to introduce satire as a full-length film.

This "sharp-eyed" satire continued in his mature work, commenting on the cult of celebrity, the machinery of 'fame', and "the dilemma of being true to oneself while also fitting into polite society.

Even post-modern in places. Lewis was an early master of deconstruction to enhance comedy. From the first Comedy Hour s he exposed the artifice of on-stage performance by acknowledging the lens, sets, malfunctioning props, failed jokes, and tricks of production.

As Jonathan Rosenbaum wrote: Lewis had "the impulse to deconstruct and even demolish the fictional "givens" of any particular sketch, including those that he might have dreamed up himself, a kind of perpetual auto-destruction that becomes an essential part of his filmmaking as he steadily gains more control over the writing and direction of his features.

Daniel Fairfax writes in Deconstructing Jerry: Lewis as a Director , "Lewis deconstructs the very functioning of the joke itself".

Robert DeNiro and Sandra Bernhard both of whom starred with Lewis in The King of Comedy reflected on his death, Bernhard said, "It was one of the great experiences of my career, he was tough but one of a kind".

De Niro said, "Jerry was a pioneer in comedy and film. And he was a friend. I was fortunate to have seen him a few times over the past couple of years.

Even at 91, he didn't miss a beat You'll be missed. From the outset he was generous. Jerry Lewis epitomized that. Jerry embodied the term "funny bones": a way of differentiating between comedians who tell funny and those who are funny.

He was unbelievably complicated and shockingly self-aware. Actor and comedian Jeffrey Tambor wrote after Lewis' death, "You invented the whole thing.

Thank you doesn't even get close. There have been numerous retrospectives of Lewis' films in the U. Lewis is one of the few performers to have touched every aspect of 20th Century American entertainment, appearing in vaudeville , burlesque , the ' borsht belt ', nightclubs , radio, Classical Hollywood Cinema The 'Golden Age' , Las Vegas , television: variety, drama, sit-coms and talk shows, Broadway and independent films.

On August 21, , multiple hotel marquees on the Las Vegas Strip honored Lewis with a coordinated video display of images of his career as a Las Vegas performer and resident.

The voice and boyish, naive cartoon character SpongeBob SquarePants is partially based on Lewis, with particular inspiration from his film The Bellboy.

Maisel , Lewis' signature catchphrase "Hey, Laaady! Sammy Petrillo bore a coincidental resemblance to Lewis, [] [] so much so that Lewis at first tried to catch and kill Petrillo's career by signing him to a talent contract and then not giving him any work.

When that failed as Petrillo was under 18 at the time , Lewis tried to blackball Petrillo by pressuring television outlets and then nightclubs, [] also threatening legal action after Petrillo used his Lewis impersonation in the film Bela Lugosi Meets a Brooklyn Gorilla.

From Wikipedia, the free encyclopedia. This article is about the entertainer. For other people named Jerry Lewis, see Jerry Lewis disambiguation.

Not to be confused with Jerry Lee Lewis. Newark, New Jersey , U. Las Vegas , Nevada, U. Comedian actor singer film director film producer screenwriter humanitarian.

Patti Palmer m. SanDee Pitnick m. Main article: Martin and Lewis. Jerry Lewis was the most profoundly creative comedian of his generation and arguably one of the two or three most influential comedians born anywhere in this century.

As a filmmaker who insisted on the personal side of his work—who was producer, writer, director, star, and over-all boss of his productions in the interest of his artistic conception and passion—he was an auteur by temperament and in practice long before the word traveled Stateside.

Further information: Jerry Lewis filmography. The New York Times. Retrieved August 20, Retrieved June 26, Records of the Bureau of the Census, —, RG Future now films.

Retrieved January 2, October 25, Retrieved June 16, Archived from the original on December 28, Retrieved December 17, Jerry Lewis: In Person.

New York: Atheneum. Retrieved October 23, The Last American Clown. Retrieved July 8, St Martins Pr.

Retrieved July 3, Jewish Journal. Retrieved February 4, Retrieved July 5, July 12, — via YouTube. April 24, Album liner notes.

Martin's Press — via Google Books. Archived from the original on December 29, Dean and Me. Three Rivers Press.

ABC News. Nielsen Business Media, Inc. Retrieved January 15, Vanity Fair. The Oscars — via YouTube.

Inventing Jerry Lewis. Smithsonian Institution Press. June 10, Retrieved June 15, — via Archive. The Hollywood Reporter.

Archived from the original on February 27, Retrieved February 26, New Yorker Magazine. Archived from the original on March 22, Retrieved November 7, Film Comment.

Archived from the original on August 22, Retrieved August 22, Los Angeles Times. Retrieved August 18, Archived from the original on December 15, Retrieved June 15, Retrieved July 31, — via imdb.

Retrieved July 31, — via YouTube. Orange County Register. August 20, The Total Filmmaker. Random House.

The Film. LA Times. The Straight Dope. Retrieved May 4, May 19, Retrieved May 21, August 4, September 3, Baltimore Sun.

The Washington Post. Retrieved March 16, July 27, Retrieved August 23, Associated Press. May 1, June 24, SF Weekly.

Retrieved October 19, December 31, Archived from the original on September 24, Retrieved December 20, Retrieved December 20, — via The Guardian.

The Guardian. December 18, Retrieved December 20, — via YouTube. The Daily Telegraph. People Magazine.

Retrieved November 26, Louis Jewish Light. Records of the Bureau of the Census, - , RG Washington, D. July 31, Architectural Digest.

January 7, Retrieved January 13, October 6, The Mercury News. September 21, Country Living. September 22, Retrieved June 14, CBS News.

Archived from the original on December 13, Retrieved December 13, March 19, USA Today. Retrieved March 6, Bernard Abrams. Jerry Logan.

Magician's Assistant. Way Out Peter Mattemore. Citizen uncredited. Dennis Green. Norman Phiffier.

Alvin Korwin. Documentary segment "Boy". Show all 7 episodes. Show all 6 episodes. What Ever Happened to Norma Jeane? Documentary filming Self.

Self - Host. Show all 32 episodes. Betrayed TV Movie documentary Self. Self - Guest. Documentary Self. TV Movie Self. Self - Guest Host. Show all 82 episodes.

Self - Interviewee. Self - Presenter. Self - Co-Host. Self - Entertainer. Show all 26 episodes. Laurel and Mr. Hardy John, Kaye Ballard Benjamin Spock Lendon Smith Download as PDF Printable version.

My Friend Irma Goes West. At War with the Army. That's My Boy. Sailor Beware. Scared Stiff. You're Never Too Young.

The Delicate Delinquent. Rock-A-Bye Baby. Don't Give Up the Ship. Li'l Abner. Visit to a Small Planet.

The Nutty Professor. Also director and writer. Selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Who's Minding the Store? The Disorderly Orderly. The Family Jewels. Boeing Boeing. Also director and producer; first film for Columbia Pictures.

Don't Raise the Bridge, Lower the River. One More Time. Which Way to the Front?

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😂Jerry Lewis - Der Zirkusclown (1954) 😂

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